Henry Hugh Pierson was an English composer, organist, and pianist, born in Oxford in 1815. His real name was Henry Hugh Pearson, but he changed it after going to Germany to live. His father was Dean of Salisbury. Henry was educated at Harrow and Trinity College, Cambridge. While a student, he published a set of songs called Thoughts of Melody, according to Byron’s words.
He studied under Attwood, Walmisley, and Corfe. In 1839, he went to Germany, studied under Rinck, Tomaschek, and Reissig, came into contact with Mendelssohn, and met Meyerbeer, Spohr, and Schumann. His operas and songs brought him fame in his new nation, but he never achieved much in his home, and these days, it is rare to hear his music played.
In 1844, he returned and became Reid professor of music at Edinburgh University, in succession to Sir Henry Bishop, but soon resigned and went back to Germany. He lived in Vienna, then Hamburg, and later Leipsic, where he died in 1873. Henry Hugh Pierson paid little heed to form in composition but was thoroughly original, and while his reputation. in Germany was high, he was criticized in England. His first important work was the opera The Elves and the Earth King, followed by Leila and other works under the nom de plume of Edgar Mansfeldt. He also wrote two other operas, Contarini and Fenice.
Jerusalem, an oratorio, is his best work. Henry Hugh Pierson left parts of another oratorio, Hezekiah. For his music in the second part of Faust, he received the gold Medal of Art and Science from Leopold I. of Belgium. He wrote five overtures: Romantique; Julius Caesar; As You Like It; Romeo and Juliet; and Macbeth. A Funeral March for Hamlet; a dirge, Salve sternum, both sacred and secular; and part-songs, among them Ye Mariners of England, are also among his works. Thellca’s Lament, Now the Bright Morning Star, Claribel, and The White Owl are examples of his lyric style.
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